Art is profoundly rebellious. Bad artists speak of rebelling, really artists actually rebel. They
respond to the powers that be with a concrete act: this is both the most important
and the most dangerous point. Real rebellion in art is something wich persists
and is competent and never dilettant. (…)
I began asking myself, as the end of the period of the Theatre of Sources, how
people used this primary energy, how, through differing techiques elaborated in
traditions, people found access to this ancient body of man. I have traveled a
lot, I’ve read numerous books, I have found numerous traces. (Grotowski 1987: 30-5)
SCHECHENER, RICHARD “The future of Ritual, writings on Culture and
Performance”, Routledge, London and New York, 1993.
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